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Specialized Indexes > Theatre Chronology
1926-1927 Academic Year
The University TheatreThe "University Theatre" is an amalgamation of all the activities of the Univesity of Notre Dame which are devoted to the dramatic and allied arts. By its organization, all campus work along these lines is coordinated, and Notre Dame's tradition of high class dramatic eendeavor is advanced. The University Theatre operates as a clearing house for student playwriting, production, direction, scene design, costuming, as well as for musical composition, (vocal and instrumental), orchestration, and stage presentation. With its active Production Unit covering not only stage direction, playwriting, composition, etc., but business management as well, the University Theatre purposes to be practical as well as artistic. Besides this, it coordinates the work of the Players' Club, the Monogram Club, and other such organizations. The program for the 1926-27 season of the University Theatre includes, in addition to the premiere of this date ("The Fool of God" and "Lord Byron"), three other large productions--a complete musical comedy in Mid-Winter, a Post-Lenten presentation of three original one-act plays written by students of Mr. Phillips' Playwriting Class (English 31), and in June an elaborate historical pageant picturing the story of Notre Dame. The present premiere offers for the first time in the stage annals of Notre Dame a program originating entirely on the campus. The two plays are written, respectively, by a member of the faculty and by two students of the Department of Music. The direction, music, and mounting are wholly the production of the students under the supervision of Prof. Frank W. Kelly and Prof. John J. Becker. This premiere, then, illustrates the special creative purpose of the University Theatre.
Play: The Fool of God, a dramatic idyl in one act Author: Charles
Philips The setting of the play and the operetta was
designed and Note from the Program: The "University Theatre" is under the patronage of the President, The Very Rev. Matthew J. Walsh, C.S.C., and under faculty supervision directed by the Rev. J. Hugh O'Donnell, C.S.C. The Executive Committee comprises Rev. E. Vincent Mooney, C.S. C., Director of the Players' Club, Professors F. W. Kelly, Vincent Fagan, and Thomas Mills, Production Directors; Professors John J. Becker and Joseph J. Casasanta, Music; Professors Clarence E. Manion and Charles Phillips, Scripts. Students of the class in play production assisting Professor Kelly at this performance are: Albert Doyle, John O'Neil, Edward Cunningham, Joseph McNamara and Franklyn Doan. The Committee extends its appreciation to Professor F. J. Kervick; Professor Oscar Lavery and The George Wyman Company for their kind cooperation. Source: Program, William Farmer Private Collection; Dome 1927, 217.
Play Title: Lord Byron Date Performed: Dec.
17, 1926
The University Theatre
One Act PlaysThe attitude of the auditor toward a program of one act plays must necessarily be different from that in which he witnesses a full length play. Three separate scenes, in the lives of three entirely unrelated groups of people, are unfolded. Three quite separate stories are told. There is no unified theme, action, or characterization, connecting the plays. Each stands by itself and must be judged on its own merit. It is as if the reader were reading three diffferent short stories. The three plays herewith presented are offered not alone for entertainment, but as an integral part of the technical and practical work being done by students in the Playwriting Course conducted by Prof. Charles Phillips, and the Play Production Course of Prof. F. W. Kelly. In the various productions undertaken by the University Theatre, plays by student authors are chosen for their merit as practical stage pieces; and acting parts are assigned with the purpose not only of offering an acceptable production, but to afford the student-actors varied opportunities to put into actual practice the theories of speech, characterization, and stage technique, which the study in class. In the same way, scenery is designed and built, costumes and properties are supplied, rehearsals are conducted, and stage effects (lighting, etc.) worked out, by students as a part of their scholasticc duties, with the sole purpose of giving them practical experience in theatre production and management.
Play: The Omadhaun, an Irish character sketch Author: William H.
Vahey
Play Title: The Pump, a drama of American farm life Author: Joseph A.
Brieg
Play: Out of the River, a ghost story Author: James
Griffin Jay The Committee extends its appreciation to Professor Oscar Lavery, and the Meyers Hardware Company, Northern Indiana Gas Company, and Palace Theatre. Source: Program, William Farmer Private Collection; Dome 1927, 215.
Play: Two One-Act Plays and a Dramatic Theatre Contest for the University Theatre Award
Commencement 1927Date Performed: Friday, June 3, 1927, 8:15 P.M.Director: Professor Frank W. Kelly Stage Manager: not found Producing Organization: The University Theatre presents The Players Club Venue: Washington Hall Contestants in Dramatic Reading Finals A Scene from "King Lear": John Leddy "Cassius Against Caesar": James Roy O'Connell, The Orator": Edward McGuire "Marullus to The People": Arthur Stenius Notes: Students of the Class in Play Production assisting Professor Kelly at this performance are: Edward Cunningham, William O'Neil, Thomas Humble, Alfred Diebold, John O'Neill, and Joseph McNamara. Source: Program, William Farmer Private Collection; Dome 1927, 215.
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